  | |   | "Words
such as 'comprehensive', exhaustive' and' 'obsessive', whilst certainly applyin
go the book, don't really do justice to Awde's achivement here"
Sid Smith's Postcards from the Yellow Room | Mellotron The
Machine and the Musicians that Revolutionised Rock | | Nick
Awde |
| UK
delivery buy now £19.95 Hardback ISBN
9781898948025 | |
| Europe
delivery buy now £19.95 Hardback ISBN
9781898948025
| |
| US/Canada
& rest of world delivery buy now £19.95 Hardback
ISBN 9781898948025
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*To
pay by CHEQUE, please take details of the title and author, then click
here |
| The
definitive Mellotron book. The Mellotron changed music forever when it appeared
in the 60s. Long before the advent of synthesizers, this extraordinary keyboard
revolutionised rock and pop music. For the first time, it brought a potentially
unlimited range of sounds to a musician's fingertips. As the world's first sampler,
its pre-recorded tapes included everything from a symphony orchestra and church
choir to samba combo and rock'n'roll drum rhythms. Those
sounds created legendary moments such as the dreamy flutes intro to the Beatles'
Strawberry Fields Forever and the soaring strings on the Moody Blues' Nights in
White Satin. By the 70s the Mellotron had become an icon of progressive rock and
its haunting tones found a climax in classics like Genesis's Watcher of the Skies
and Led Zeppelin's Kashmir. Today it has experienced a renaissance after being
championed by acts like Paul Weller and Radiohead. Covering subjects as wide as
the baby boomer generation, the Swinging 60s, Sgt. Pepper, Hendrix, Holst's The
Planets and the advent of punk and disco, top musicians describe how they were
inspired by the unpredictable keyboard affectionately dubbed 'The Beast', explaining
too why the Mellotron and post-war society in the UK created a unique melting
pot that made the world rock to a British beat. Featured
in this volume are musicians (not all of them keyboardists) who unlocked the Mellotron's
potential, many confessing to a love-hate relationship with the keyboard due to
its eccentric mechanism: Tony
Banks (Genesis) Mike Pinder (Moody Blues) Ian McDonald
(King Crimson, Foreigner) Woolly Wolstenholme (Barclay James Harvest)
Greg Lake (King Crimson, Emerson Lake & Palmer) John Wetton
(King Crimson, UK, Asia) Nick Magnus (Autumn, Steve Hackett Band) Martin
Orford (IQ, Jadis) Roine Stolt (Flower Kings, Transatlantic, Tangent)
Jakko Jakszyk (Level 42, 21st Century Schizoid Band, Tangent) John
Hawken (Renaissance, Strawbs) Doug Rayburn (Pavlov's Dog) Tony
Clarke (Moody Blues) David Cross (King Crimson) Dave Cousins
(Strawbs) Blue Weaver (Strawbs, Bee Gees) Robert Kirby (Strawbs)
Robert Webb (England) Dave Gregory (XTC) Andy McCluskey
(Orchestral Manoeuvres in the Dark) Bill Bruford (Yes, King Crimson)
provides a drummer's view of working with four classic Mellotron bands, and there
are perspectives from Geoff Unwin, the first Mellotronics demonstrator,
John Bradley & Martin Smith of Streetly Electronics, the original
makers of the Mellotron, and Planet Mellotron's Andy Thompson
592pp. with 300 b&w photos Published by Desert Hearts, July 2008 |
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